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INDUSTRY NEWS

The latest news and industry related articles from around the world.

CODEX Media Vault Speeds Video Post Processing for Small Teams
ARRI ALEXA Mini LF Tests
DP Michael Dwyer captures cinema verité in Justin Bieber’s new video...
ALEXA Mini LF | Why Hollywood LOVES this cinema camera
ARRI ALEXA Mini LF Review
Tour of the Best Cinema Camera Money Can Buy
Director of Photography Mandy Walker Talks Making Mulan Live-Action...
ICG Local 600 Elects John Lindley New National President
Watch Exclusive Clip For Sundance Premiere ‘Come Away,’ Starring Angelina...
What Is Quibi, the New Platform Taking on Big Streaming?
Shooting "Emma." in large format
Roger Deakins Leads ASC Cinematography Nominations for ‘1917’
The Virtual Production of The Mandalorian, Season One
Oscars 2020 In Detail
4 Oscars for Parasite
2020 EE British Academy Film Awards: The Winners
1917 Scoops Baftas
'The Lion King' Wins Top Honor at Visual Effects Society Awards
Eddie Awards: ‘Parasite’ & ‘Jojo Rabbit’ Take Top Film Prizes From American...
Editing: Joker
ASC to Honor Werner Herzog with 2020 Board of Governors Award
ARRI ALEXA Mini LF gets full Netflix approval
How ‘1917’ Editor Lee Smith Cut a ‘One-Shot’ Feature Film
DP Chat: Marshall Adams talks El Camino: A Breaking Bad Movie
How 'Parasite' Made One of the Greatest Montages Ever
Steve Yedlin, ASC, on Controlling the Look of Mystery Movie 'Knives Out'
IndieWire Consider This: Best of Craft Video – Debating the Year’s...
'The Irishman,' 'Lion King' VFX Teams Break Down Their Technical...
How 'Parasite' Editor Yang Jin-mo Shaped the Film of the Year
How 'Jojo Rabbit' DP Minhai Malaimaire Uses Color to Create Perspective
Oscar-Winning DP Roger Deakins discusses unique approach to shooting 1917
X2X Media Group creates production services division
'Knives Out' Pulled Off a Really Cool Shot That No One Noticed
That One Astonishing Scene in 'The Irishman' Explained
PIX and CODEX unite under X2X Media Group
Oscar Cinematography Survey: Here Are the Cameras and Lenses Used...
X2X Media Group Branding Launch
X2X Media Group Announces Formation of Specialized Production...
‘Ford v Ferrari’ DP Reveals How They Pulled Off Those Crazy Car Races
ALEXA Mini LF Camera Simulator
‘The Irishman’ Cinematographer on Visual Storytelling
PIX and CODEX to Unite Under One Brand
PIX, CODEX Rebrand as X2X Media Group
'Joker' Cinematographer Describes the Use of Color in Film
MINDHUNTER - Season 2: VFX Breakdown by Territory Studio
PIX, CODEX form X2X Media Group
Pix, Codex Owner Rebrands As X2X Media Group
PIX & CODEX brands unite under X2X Media Group
Which Cameras Were Used to Shoot Horror Films In 2019?
Codex’s Brian Gaffney sits down with Post’s Marc Loftus on PostTV to discuss...
Robert Richardson and Quentin Tarantino to receive prestigious...
Visual Effects Society names acclaimed Visual Effects Supervisor Sheena...
Netflix updates its Cameras and Image Capture list
Hedge now supports Codex Media
Large Format Cameras Are Changing Film Language, From Joker to...
Red Shark News reviews ColorSynth Part 1
Red Shark News reviews Codex Keys Part 2
The game-changing tech behind Gemini Man's 'Young' Will Smith
The ASC opens new Arri Educational Center in Hollywood
World War I drama 1917 will play as one continuous shot
Scorsese reveals how The Irishman finally got made
Watch how Roger Deakins shot 1917 all in one take
Kirk Baxter Talks About Methods and Madness in Editing Mindhunter
RedShark round-up of lenses at IBC 2019
Joe Anderson Helps Resurrect Top Boy with Cooke S7/i Prime Lenses
Downton Abbey Goes Big: Here is How Michael Engler Expanded the Canvas
Behind the scenes: Elton John ‘fantasy’ biopic Rocketman
PIX to Acquire CODEX
Robert Richardson: I think all my collaborations with directors have been ideal
CODEX is now owned entirely by PIX. This is significant.
Wonderful explanation of how the Dolby Vision grading process works
PIX Acquires London-Based CODEX
Bong Joon-ho's Parasite wins Palme d'Or at Cannes film festival
PIX to Acquire CODEX
'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve
PIX Acquires CODEX
Digital Pre-Release Screeners: How online platforms can eliminate...
Entertainment Tech Provider PIX Acquires CODEX
Imagine Products – Dan Montgomery, NAB 2019 Interview
PIX Acquires CODEX
PIX and CODEX Join Forces
PIX Acquires CODEX, Expands Global Services
Codex High Density Encoding supports Arriraw workflows
NAB Show Wrap: The Trends That Mattered This Year
ARRI’s new Alexa Mini LF offers large-format sensor in small footprint
8K to Next-Gen TV: Previewing NAB
NAB 2019 Video: Codex with Brian Gaffney
Dachs ‘98 Receives Sci-Tech Oscar for PIX System
Why filmmakers are excited about the new ARRI Alexa Mini LF
PIX Celebrates 91st Academy Awards Winners
NAB 2019 Coverage
Steven Soderbergh on the High-Speed Production of High Flying Bird
Colorfront showcases 8K HDR and previews major product updates at NAB
PIX Celebrates Sci Tech Oscars
Arri Introduces Alexa Mini LF
How David Fincher and ‘Panic Room’ Helped Launch PIX
Imagine Products to unveil new improvements at the 2019 NAB
PIX Wins Technical Oscar: Our Conversation
Imagine Products at the 2019 NAB Show
PIX System Featured in DGA Quarterly Magazine
ARRI launches the ALEXA Mini LF
Shifting Focus: Cinematographer Yves Belanger Finds the “Truth”...
Colorist Christopher M. Ray talks workflow for Alexa 65-shot Alpha
PIX Awarded Sci-Tech Oscar
Oscar Winners 2019
The Cameras Behind Oscar 2019: Old Film Cameras, 2K Resolution, Alexa and...
Winners Announced: EE British Academy Film Awards in 2019
Oscar Contenders with Post Magazine
Cinematographer Vanja Černjul ASC discusses how the VariCam gives him...
ARRI names Peter Crithary, President of Camera Rental Operations
Review: Canon C700 FF Cine Camera, Part 1
Nine Scientific and Technical Achievements to be honored with Academy...
What Are The Most Popular Netflix Shows in Each State for 2018?
How ‘Bohemian Rhapsody’ Perfectly Recreated Live Aid 1985
The Most Breathtaking Cinematography of 2018
The 11 Most Innovative Music Videos of 2018
Alfonso Cuarón on shooting ROMA with ALEXA 65
Oscar Shortlists 10 Films For Visual Effects Academy Award
Behind the scenes: Mary Poppins Returns
The Haunting Secrets Behind the ‘Hill House’ Set Design
Apple won’t convert its Macs to IOS any time soon. But that’s not the big...
BlacKKKlansman,The Favourite, and A Star is Born Lead the 2018 SAG...
The Arri Alexa is arguably the most influential filmmaking camera...
Crazy Rich Asians sequels: Everything you need to know
Canon C700FF: what can you really do with a 5,9K Full Frame Camera?
Codex wins Engineering Emmy Award
Codex at IBC 2018 from Red Shark News
DGA Magazine highlight on ColorSynth
Association of Camera Operators, announce new President
Pomfort integrates Codex Keys & Codex HDE with Silverstack Lab
Codex ColorSynth now integrated with Adobe Premiere Pro CC
Crazy Rich Asians: Interviews with cast and behind the scenes clips
Codex in NYC
Review: Codex ColorSynth Color-Grading Plug-In
Netflix feature Alex Strangelove shot with VariCam Pure
Andy Serkis discusses performance capture on Mowgli
Codex wins postPerspective Impact Award
PROVIDEO COALITION review ColorSynth and Keys
Ali Nicholls demos ColorSynth and Keys at NAB 2018
Codex's Brian Gaffney interviewed on NAB Show Live
Codex ColorSynth wins NAB 2018 RedShark Award
Codex Earns Best in Show in Studio Prime Awards
Codex Production Suite 4.6.7 released
Codex supports the new Canon EOS C700 FF camera
Shooting Avengers: Infinity War All on New IMAX Camera Tech
Spotlight on: Digital Imaging Technicians
ARRI introduces a complete large-format system
Cinematographers discuss Director relationships
How DP Phedon Papamichael Created the Cinematic Language...
Society of Camera Operators Lifetime Achievement Awards
Oscars: Tentpoles Face Smaller Fare in VFX ‘Bake-Off’ Top 10 Competition
Oscars: 20 Films Advance in Visual Effects Race
Cinematographers Embrace Large Formats and Rich Images
Guardians of the Galaxy Vol. 2: Post-Apocalyptic Dailies
How a Polish Cinematography Festival Became a Bellwether for...
British Cinematographer interviews Marc Dando
DP Roger Deakins Reveals 'Blade Runner 2049' Tech Challenges...
The Most Thorough Anamorphic Lens Test Ever is Here
Oli Smith joins Codex
Game of Thrones’ cinematographer breaks down the ‘dragon-induced...
Five misconceptions about filming today
Having a Pig of a Time
Netflix's Ozark - captured with Panasonic 4K V-RAW. Read the review...
How War for the Planet of the Apes turned a visual effect into a reluctant hero
Westworld Cinematographer Talks Lighting an Orgy...
HDR10 vs Dolby Vision
Hollywood Has No Idea What to Do with VR
Cannes 2017 Masterclass with Alfonso Cuarón
Codex delivers big firepower for RED 8K WEAPON
DCS interviews Brian Gaffney at NAB
Codex at NAB 2017
James Neihouse, ASC On C700, Shooting With NASA & More
Oscar-Winning Cinematographer Discusses Canon's New Camera
First look at Varicam Pure 4K raw footage
Greig Fraser, ASC, ACS Talks Creative Choices at AFI
Spectacular Canon Cinema EOS C700 Production for SWISS Int. Airlines
Interview: Kavon Elhami - Camtec
Bonobo: No Reason (Behind The Scenes)
ARRI wins Academy Scientific and Engineering Award
ALEXA 65 on Live By Night
The OA - Captured on Codex in 4K VRAW
Codex Production Suite 4.1 - with ALEXA SXT support
Codex and Panasonic deliver recording and workflow for VariCam Pure
Codex delivers recording and workflow for Canon EOS C700
Michael Seresin: Cinematographers are often more important...
Watch OK Go’s Extremely Slow Motion “The One Moment” Video
Meet John Knoll, the creative genius who brought Rogue One to life
Codex delivers recording and workflow for the ALEXA SXT
Codex Production Suite 4.0 – Major Software Release
Savvy Decisions Behind Deadpool’s Box Office Triumph
Roman Holiday - The Making of Zoolander 2
Light Fantastic - The making of The Revenant
UNESCO World Heritage Croatia - Echoes of choir in virgin forest and water
Codex Ships V-RAW Recorder For Panasonic VariCam 35 Camera
Inside The Strain Comic-Con VR Experience
Codex develops Recording
& Workflow for ALEXA 65
Birdman & Ida Winners at BAFTA 2015
Headcase DP Andrew Shulkind on Virtual Reality
Codex launches to International Space Station
Action Cam deployed
on luxury car TV ad
Codex Review Live Delivers
Set-to-Post Colour Confidence
A tribute to cinematographer Roger Deakins ASC, BSC
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